Lynch's work is a treasure trove of haunting, disturbing, and beautiful images, but just as amazing as his killer eye is the breadth of his ability and technique.Īs a precocious movie buff, I was aware of David Lynch but only as a blip on my cinematic radar. If you're unfamiliar with Lynch, but curious, the rest of this post is a good place to start.įollowing the memoir is a smorgasbord (careful, Audrey) of 135 Lynch screen-caps - twelve from each feature film, three from each Lynch-directed Twin Peaks episode, and a sampling from his shorts (plus one image taken from a promotional show). So I will do this below, without any major spoilers (my upcoming posts are another story, but I'll note which works I'm spoiling beforehand). When I discuss his films at the end of the month I will be analyzing, contextualizing, and connecting them, but I won't really be relating them to myself. This is the "forest" piece, while the previous week's essay will cover each "tree." While the depth and diversity of the director cannot be summed up in a single essay, there are several very strong narrative arcs encompassing his oeuvre, and they shed light both on his work as a whole and the individual films.įor now, by way of setting the stage, I want to offer my own personal musings on David Lynch and my journey of discovery with his work. Each title will be accompanied by a screen-cap one of the most enjoyable parts of preparing this month was gathering images from the visual wealth of Lynch's filmography.įinally, on the last day of June I will share the second part of my retrospective, "It's a Strange World," an essay examining the abrupt shifts, subtle reversals, and gradual evolutions in the Lynchian touch, ranging from narrative strategies and thematic concerns to visual motifs and directorial vision. June 23 brings the first part of my comprehensive Lynch retrospective, "The Eye of the Duck," which discusses everything in the director's canon - features, shorts, TV episodes, music videos, commercials - on an individual basis. It builds off the observations in the previous post, as well as my conversation with Tony about the fate of Laura Palmer and how this twist impacted not just Twin Peaks but Lynch's work as a whole. This will post next week, Monday, June 9.Ī week later, on June 16, I will unveil "Take This Baby and Deliver It to Death," my first video essay in a year and a half, a non-narrated impressionistic tribute to themes and motifs in Lynch's work, anchored around the endings of Eraserhead and Fire Walk With Me. These are selections I gathered while doing my own research for the correspondence with Tony, and taken together these disparate sources tell a fascinating tale about one of the most innovative shows of all time, how its downfall came about, and why its deeper qualities took time to appreciate. Every Monday I'll post a new, meaty post on David Lynch and his work.įirst up will be "Gone Fishin'," a massive collection of quotes from news articles, TV reviews, and film essays on the Twin Peaks phenomenon. The results have been unfolding for the past month (as Tony Dayoub and I corresponded on the film Fire Walk With Me), but will escalate in June. From there I broadened my scope to all of Lynch's work, initiating a marathon viewing of all his films and then returning to many of them yet again. I started listening to Peaks soundtracks and podcasts all the time, devouring articles and essays on the subject, and re-watching the entire series. It started in January when I read a book about Twin Peaks and my interest in the series was renewed. ![]() This spring I've been completely immersed in the universe of David Lynch. ![]() ![]() This week's "Question in a World of Blue" is: How did you first discover the work of David Lynch? You can respond in the comments below or on your own blog (please tag this entry in your response). It combines a guide to the upcoming month, a memoir of my own Lynch journey, and 135 images from his films.Įach week I will pose a question to readers related to my latest post. This is my first entry in David Lynch Month.
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